From a culture
that has revered the art of writing for more than a thousand years comes
writing instruments that celebrate both writing and art. Where traditional
techniques and modern innovations are fully realized in writing instruments
that bridge art and technology, poetry and science, yesterday, today
and tomorrow comes Namiki—a line of pens that leave quite an impression.
In
1915, Ryosuki Namiki of Japan left his job as a professor
and founded a small factory near Tokyo to produce gold pen nibs. Here,
he expanded his product line and became a full-fledged manufacturer
of superb writing instruments. In 1918, Masao Wada joined
Namiki in business and formed the Namiki Manufacturing Company Ltd.,
and, to pay homage to the sea, their other shared interest, the two
partners settled on Pilot
as the trade name, a reference to ships captains. In 1925, Namiki
Manufacturing patented a process to apply lacquer on the bodies of
pens to protect them from scratching and fading. 1926 was a watershed
year, with major developements occurring on two fronts: Part one,
to expand its presence in Europe, Namiki introduced the ancient art
of maki-e to the world of chirographic instruments crafting.
Developed mainly throughout the Heian period (794–1185),
to decorate screens, albums, inro, letter boxes, and ink-slab cases,
maki-e is the technique of very lightly dusting or spraying wet lacquer
with metallic powder, usually gold or silver, from a dusting tube,
sprinkler canister (makizutsu), or hair-tipped paint brush
(kebo). Secondly, Namiki Manufacturing opened branches in
New York, London, Shanghai, and Singapore, and began making use of
modern advertising mediums.
Key to successfully applying the maki-e process to scrivening instruments
was a young, but already well-known artist, Gonroku Matsuda (1896-1986),
and
although only four hundred such pieces were completed between 1926
and 1949, he became known as the father of modern lacquer craftsmanship
in Japan. His work gained swift international recognition, and by
1929 specialist in a different sort of art—that of business
foresight, and marketing acumen—the esteemed and celebrated
Alfred Dunhill, of London, entered into a collaborative agreement
with Namiki. The resulting Dunhill Namiki pens continue to grow in
value as collectors items, in every corner of the globe. In 1938,
the corporate name was changed to Pilot
Fountain Pen Co., Ltd, with their most lustrous pieces, the
maki-e pens, retaining the designation Namiki.
For the Namiki collections, skilled artisans use only the finest
materials to create a line of exquisite writing instruments that perform
flawlessly. The Maki-e lacquering, and hand-painted designs richly
interpret scenes of nature in precious metals and lavishly colored
pigments. In 1996, the first luxury Namiki Limited Edition pen was
released in the U.S., The White Tiger of Asia, with only
300 pens produced. With the enduring beauty of the Emperor
Collection, the intricate designs of the Yukari
Collection, and the clean, slim lines of the Nippon
Art Collection, the now legendary Japanese pen maker provides
a variety in which all pen lovers can satisfy their needs
and desires.
Other products feature 18 karat gold, sterling silver (Sterling
Silver Collection), lacquer or celluloid finishes, executed
in styles ranging from the sleek Falcon,
to the Bamboo,
at once high-tech and ingeniously classic in appearance. However,
rarefied art is just the beginning, for as beautiful as they are,
Namiki writing instruments are designed to be used. A precision nib,
and superior ink and lead delivery systems ensure an exceptionally
smooth stroke and clean line. In every aspect, Namiki continuously
redefines quality of design and craftsmanship in premium writing instruments.