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The idea of enclosing a thin graphite lead in a wooden casing is several hundred years old; it was not new when my ancestor [Kaspar Faber] founded a pencil factory in 1761. But my great-great-grandfather Baron Lothar von Faber, who took over the family firm in Lothar Freiherr von Faber1839, was the first to turn the pencil into a genuine quality product — and the world’s first brand-name writing implement. He laid down standards for the length, diameter, and hardness of pencils; standards which apply to this day. He also created a series of fascinating products which continue to set an example of simplicity and design.

My grandfather, Count Alexander zu Castell-Rüdenhausen carried on this tradition. The Faber-Castell company, which takes its name from my grandfather’s marriage to Lothar von Faber’s granddaughter Ottilie, is not only the oldest manufacturer of wood-cased pencils, but also the world’s best-known name in graphite and colour pencils. And they still look very much as they did 150 years ago.

Inspired by selected writing instruments produced by my ancestors, I saw it as a personal challenge to rediscover these past products and use modern technology to transfer their timeless design to the present day. In 1993, my ideas took shape as the Graf von Faber-Castell Classic Collection. Various types of unusual wood combined with precious metals, and also painstaking craftsmanship, are what make the collection so unusual. The whole Graf von Faber-Castell Classic Collection embodies an awareness of quality represented by a harmonious combination of selected materials, excellent functionalism, and appealing aesthetics.

So writes Count Anton Wolfgang von Faber-Castell, direct descendent of cabinet maker, Kaspar Faber, who founded the 18th century pencil factory thatCount Anton Wolfgang von Faber-Castell would ultimately become the oldest continuously operating, and still extant, manufacturer of chirographic instruments in the world. In 1978, after the death of Roland Count von Faber-Castell (1905-1978), Anton Wolfgang, his son and the 8th generation, took over as sole Managing Director.

Of a history, rich well beyond chronology, the following are but a few of the highlights:

1784-1839: Anton Wilhelm Faber (1784-1810) and Georg Leonard Faber (1810-1839) expanded the pencil workshop in Stein, near Nuremberg, Germany. The company assumed the name, A.W. Faber.
1839-1840: Lothar Faber (the fourth generation) produced the hexagonal-section pencil, the first quality pencil in Germany, and marks it "A.W. Faber"— the brand name pencil is born.
1843: A.W. Faber pencils first sold in America through an agency.
1880-1891: Lothar von Faber was made a baron by King Ludwig II (1881), and a hereditary privy councillor by Prince Regent Luipold (1891).
1898: The marriage of Lothar von Faber's grand-daughter, Ottile, to Count Alexander zu Castell-Rüdenhausen brought about a change of name for the family and the company: Faber-Castell.
1905: The famous green Castell 9000 pencil came on the market, as did the famous poster with the fighting knights.
1928: After the death of count Alexander, his son Roland took over the chairmanship at age 23.
1945-on: Numerous foreign sales points had to be re-acquired after the WWII.
1948: The TK pencil, a new clutch pencil for technical drawing, found international acceptance.
1949: Faber-Castell became the first German pencil manufacturer to market a ball-point pen.
1978: The Alpha-matic was issued, the world's first fully automatic fine-lead pencil.
1981: The Faber-Castell factory started a comprehensive conifer project in Prata/South-East Brazil for the long-term self-supply of wood for the growing pencil production. The result was a world-wide, unique and exemplary reafforestation project - on former pasture land 2,500 Km from the rainforest.
1996: The premium range grew to include fountain pens and rollerball pens in unique designs.
1999: Graf von Faber-Castell and Porsche Design began their collaboration, and produced the first Porsche Design pens and pencils.
2003: This marks the start of a new series of special editions for Graf von Faber-Castell, to sit alongside the Faber-Castell Collection - every year they present a new magnum version of the fountain pen, each edition produced for one year only. 2003 Faber-Castell Pen of the Year, Snakewood.
2004: Pen of the Year, Amber.
2005: Pen of the Year, Galuchat.
2006: Pen of the Year, Mammoth Ivory.

Today, Graf von Faber-Castell continues its uninterrupted 246-year heritage of crafting the absolutely finest of writing instruments, from design to materials, from engineering to presentation. Representative of the family's and company's influence on history and creativity is a letter of Vincent vanVincent Van Gogh Self-Portrait Gogh's, in which he wrote,

I also wished to tell you about a sort of pencil I have found from Faber. They are of ideal thickness; very soft and in quality superior to carpenter's pencils, a capital black and most agreeable for work on large studies.

I used them to draw a seamstress on grey sans fin paper and produced an effect resembling that of lithographic chalk. These pencils are encased in soft wood, coloured dark green on the outside and cost 20 cents apiece.

Celebrity testimonials even stretch as far as fictional characters who have gained such stature as to seem to many have been historical individuals. In the Adventure of the Three Students, none other than Sherlock Holmes recognises the preeminence of Graf von Faber-Castell pencils. Finding some shavings, produced when the culprit sharpened a pencil, Holmes sees enough of the manufacturer's name to identify the instrument as a "Faber": "What could this NN be? It is at the end of a word. You are aware that Johann Faber is the most common maker's name. Is it not clear that there is just as much of the pencil left as usually follows the Johann?"

Satisfaction that was true for the great artist, as well as equally great characters of fiction, is true today for all those who either retain a love of writing by hand, or are newly discovering the rewards of devoting one's thoughts to paper, by using an aesthetically pleasing, and technically brilliant writing utensil from Graf von Faber-Castell. Nonetheless, vision and creativity are not exhausted with design and craftsmanship. To reaffirm commitment to conservation and renewal the Walden Woods Limited Edition was produced in 2006; and the latest example yet of their artisanship and vision is the exquisite 2008 Pen of the Year, the Indian Satinwood fountain pen.

Expanding market reach to a much broader clientele are the modernistic E-Motion, Ambition, Multi-Function, and UFO collections, under the Faber-Castell brand. While maintaining the fundemental spirit of Graf von Faber-Castell style, the shape and materials of these pieces forge into the realm of the age of technology. An equally important quality is their accessibility to a younger, perhaps not yet as affluent, generation. Another group targeted by this series of collections is the professional, whose work takes him or her into "the field," where a costly treasure might be deemed to have been ruined, by scratches, pings, and dents; however, the owner of an E-Motion or Ambition, can shrug, and say, "it just adds character."

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