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The idea of enclosing a thin graphite lead in a wooden
casing is several hundred years old; it was not new when my ancestor
[Kaspar Faber] founded a pencil factory in 1761. But my great-great-grandfather
Baron Lothar von Faber, who took over the family firm in 1839,
was the first to turn the pencil into a genuine quality product —
and the world’s first brand-name writing implement. He laid
down standards for the length, diameter, and hardness of pencils;
standards which apply to this day. He also created a series of fascinating
products which continue to set an example of simplicity and design.
My grandfather, Count Alexander zu Castell-Rüdenhausen
carried on this tradition. The Faber-Castell company, which takes
its name from my grandfather’s marriage to Lothar von Faber’s
granddaughter Ottilie, is not only the oldest manufacturer of wood-cased
pencils, but also the world’s best-known name in graphite
and colour pencils. And they still look very much as they did 150
years ago.
Inspired by selected writing instruments produced by my ancestors,
I saw it as a personal challenge to rediscover these past products
and use modern technology to transfer their timeless design to the
present day. In 1993, my ideas took shape as the Graf
von Faber-Castell Classic Collection. Various types of unusual wood
combined with precious metals, and also painstaking craftsmanship,
are what make the collection so unusual. The whole Graf
von Faber-Castell Classic Collection embodies an awareness of quality
represented by a harmonious combination of selected materials, excellent
functionalism, and appealing aesthetics.
So writes Count Anton Wolfgang von Faber-Castell, direct descendent
of cabinet maker, Kaspar Faber, who founded the 18th century pencil
factory that
would ultimately become the oldest continuously operating, and still
extant, manufacturer of chirographic instruments in the world. In
1978, after the death of Roland Count von Faber-Castell (1905-1978),
Anton Wolfgang, his son and the 8th generation, took over as sole
Managing Director.
Of a history, rich well beyond chronology, the following are but
a few of the highlights:
1784-1839:
Anton Wilhelm Faber (1784-1810) and Georg Leonard Faber (1810-1839)
expanded the pencil workshop in Stein, near Nuremberg, Germany. The
company assumed the name, A.W. Faber.
1839-1840: Lothar Faber (the fourth generation) produced
the hexagonal-section pencil, the first quality pencil in Germany,
and marks it "A.W. Faber"— the brand name pencil is
born.
1843: A.W. Faber pencils first sold in America through
an agency.
1880-1891: Lothar von Faber was made a baron by King
Ludwig II (1881), and a hereditary privy councillor by Prince Regent
Luipold (1891).
1898: The marriage of Lothar von Faber's grand-daughter,
Ottile, to Count Alexander zu Castell-Rüdenhausen brought about
a change of name for the family and the company: Faber-Castell.
1905: The famous green Castell 9000 pencil came on
the market, as did the famous poster with the fighting knights.
1928: After the death of count Alexander, his son
Roland took over the chairmanship at age 23.
1945-on: Numerous foreign sales points had to be
re-acquired after the WWII.
1948: The TK pencil, a new clutch pencil for technical
drawing, found international acceptance.
1949: Faber-Castell became the first German pencil
manufacturer to market a ball-point pen.
1978: The Alpha-matic was issued, the world's first
fully automatic fine-lead pencil.
1981: The Faber-Castell factory started a comprehensive
conifer project in Prata/South-East Brazil for the long-term self-supply
of wood for the growing pencil production. The result was a world-wide,
unique and exemplary reafforestation project - on former pasture land
2,500 Km from the rainforest.
1996: The premium range grew to include fountain
pens and rollerball pens in unique designs.
1999: Graf von Faber-Castell and Porsche Design began
their collaboration, and produced the first Porsche
Design pens and pencils.
2003: This marks the start of a new series of special
editions for Graf von Faber-Castell, to sit alongside the Faber-Castell
Collection - every year they present a new magnum version of the fountain
pen, each edition produced for one year only. 2003 Faber-Castell Pen
of the Year, Snakewood.
2004: Pen of the Year, Amber.
2005: Pen
of the Year, Galuchat.
2006: Pen
of the Year, Mammoth Ivory.
Today, Graf von Faber-Castell continues its uninterrupted 246-year
heritage of crafting the absolutely finest of writing instruments,
from design to materials, from engineering to presentation. Representative
of the family's and company's influence on history and creativity
is a letter of Vincent van
Gogh's, in which he wrote,
I also wished to tell you about a sort of pencil I have found
from Faber. They are of ideal thickness; very soft and in quality
superior to carpenter's pencils, a capital black and most agreeable
for work on large studies.
I used them to draw a seamstress on grey sans fin paper and produced
an effect resembling that of lithographic chalk. These pencils are
encased in soft wood, coloured dark green on the outside and cost
20 cents apiece.
Celebrity testimonials even stretch as far as fictional characters
who have gained such stature as to seem to many have been historical
individuals. In the Adventure of the Three Students, none other than
Sherlock Holmes recognises the preeminence of Graf von Faber-Castell
pencils. Finding some shavings, produced when the culprit sharpened
a pencil, Holmes sees enough of the manufacturer's name to identify
the instrument as a "Faber": "What could this NN be?
It is at the end of a word. You are aware that Johann Faber is the
most common maker's name. Is it not clear that there is just as much
of the pencil left as usually follows the Johann?"
Satisfaction that was true for the great artist,
as well as equally great characters of fiction, is true today for
all those who either retain a love of writing by hand, or are newly
discovering the rewards of devoting one's thoughts to paper, by using
an aesthetically pleasing, and technically brilliant writing utensil
from Graf von Faber-Castell. Nonetheless,
vision and creativity are not exhausted with design and craftsmanship.
To reaffirm commitment to conservation and renewal the Walden
Woods Limited Edition was produced in 2006; and the latest
example yet of their artisanship and vision is the exquisite 2008
Pen of the Year, the Indian Satinwood fountain pen.
Expanding market reach to a much broader clientele
are the modernistic E-Motion,
Ambition,
Multi-Function,
and UFO
collections, under the Faber-Castell
brand. While maintaining the fundemental spirit of Graf von Faber-Castell
style, the shape and materials of these pieces forge into the realm
of the age of technology. An equally important quality is their accessibility
to a younger, perhaps not yet as affluent, generation. Another group
targeted by this series of collections is the professional, whose
work takes him or her into "the field," where a costly treasure
might be deemed to have been ruined, by scratches, pings, and dents;
however, the owner of an E-Motion or Ambition, can
shrug, and say, "it just adds character."
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